Another One Bites The Dust .Wav

Another One Bites The Dust Queen Songs. Composer John Deacon. Single Meter 44. Key e minor. Form     Intro AAAAA Verse AABB Chorus AAAD. The Another OneQueen1. Queen Another one bites the dust 74k thisaint. Talking Heads This aint no party, this aint no disco. Print and download Queen Another One Bites the Dust Bass TAB. Includes Bass TAB for Voice, range E4D6 or Bass Guitar or Backup Vocals in E Minor. SKU MN0066010. Httpwww. SCM0BMJxAnotherOneBitesTheDust1. AA   Verse       Chorus         Interlude Title. AA   Verse       Chorus         Outro AABBThis song is one of the most important turning point in the bands carrier both chart wise and style wise and also image wise the debute of the mustache mon the video clip. ApeFlac. Com,ApeFlacWav. Queen Another One Bites The Dust. Download ANOTHER ONE BITES THE DUST by QUEEN free. Million songs. Get lyrics music videos for your iPhone. One And Another' title='One And Another' />The success of this mere single inspired the band to experiment more with blackfunk music the new trend for the Hot Space album. The very first experiment was Fun It off the Jazz album. How To Convert Vb File To Fb File In Jcl. This song makes heavy use of repeating bass riffs. The main riff is tad reminiscent of that of the Chiqs Good Times 1. Deacons riff also starts with three low E notes followed by a characteristic pause, the rest is different. The song is also famous for the band using looped drumlines, in order to achive an extra tight rhythm department. The songform shows three cycles of Verse Chorus the second one followed by an interlude. This transcription of the song uses slow beats determined by the three low E bass notes. The syncopations on the other hand suggest double frequency quarter beats. The harmonic backing is very economic, except two phrases in two verses and the outro we have no chords. The homekey is minor which is rare among Queen singles but usual in funk music. Intro. The song starts with the famous two measure riff played five times five phrases, the first two times a variant with upbeat. EE4-sineei15.jpg' alt='Bit The Dust' title='Bit The Dust' />Only riff uses only three different notes E, G, A. For the third phrase where the main version of the ostinato riff debutes enters the guitar doubling it. The last two phrases add flanged synth chord Em. Play The Game Death On Two Legs no synth. The second and third cycle starts with a shortened two phrases version of the intro including the fade in chord. Verse We have three 8 measure verses 2222, AABB. Another One Bites The Dust .Wav' title='Another One Bites The Dust .Wav' />The second and third one is sung an octave higher with incredible energy and funky strummed guitar chords are added in contrast with the more economic first verse. The lead tune in the second verse only features a b. A. is copied by the lead vocal. The last measure adds a dissonant guitar chord G A C F. Em   Am  . i     iv  . C1 G1 C1 G1. 6  3 6  3  . C1 G1 A1 B1. 6  3 4  5  The first verse ends with reversed cymbals. The second Verse adds more weird noises. Except the octave up transposition, the lead tune is also changed. The third verse offers furhter variants of the lead melody in m. Chorus. The chorus consists of eight neasures, four phrases the first three of which is backed by the riff AAA. E1   A1. E1   A1. F5 A5 F1 B1 G1. The second and third chorus adds guitar power chords in mthe last phrase. Interlude. At the end of the second cycle we have a long economic interlude. Economic in terms of harmony and arrangement. See a similar interlude fro example in Gimme, Gimme, Gimme Abba. The interlude measure by measure. Plus a hey. m. 3 handclap like drums are addedm. Simple Address Book Program In Java. Brian with his Red Special here creates a doubletracked lion shout, ad lib vocals by Freddie. Get Down Make Lovem. G A F. m. 16 the reversed chord abruptly stops and slowing down percussion figure is added. Only handclaps. It sounds distinctly enough to be threated as an individual section. Outro. It is mainly the same as the backing track of the verse. The live version features Brian playing more funky figures.